Sunday, March 21, 2010

rise of the silver surfer

at the company's year end party. suit by Juni Boyoboy

Saturday, March 20, 2010

The Traveler (to Monsieur Louis Vuitton)


 (courtesy of google images)

People travel to places
to unravel the unknown
to entertain and be entertained
to see new faces
and see their own self.

They walk the streets
with paper tickets clasped in their hands
and rainwater penetrating
the insoles of their oxfords;
board vehicles breathing
at every stop; devouring
every inch of the terrains
as each curve, each turbulence,
each steam foretell their story.

They pack and unpack
hoping to find meaning
out of the leather stitching
enclosing most of their sobrieties
and aspirations.

(at home, where it all began,
is a new journey
waiting to start, waiting to happen.)

Epater Les Bourgeois


(courtesy of google images)

There are things, Mademoiselle Coco,
That you cannot foretell.

The camellia on your tweed jacket rests humbly
As the world’s patriarchal gestures
Soil the hems of skirts
And the tulle beneath them.

The pearls around your neck
Look like rocks crumbling at every
Debauchery men of your
Time write on history.

There are things, Mademoiselle Coco,
That you cannot foretell—
Women learned, after you,
How to tailor their lives
On their own

(not rely on their fathers,
Husbands, sons and the world.)

blaque.

The Monarch (For Alexander McQueen)


Alexander,
From the pits of my grave I write to you.
These moist, dark walls of dirt remind me of
Your intricate beadwork, how they fall in line
like ants skulking through my thighs.
Your suits draped in tailored tulle
form the satin walls of my coffin,
Pouf skirts run about as if to bring volume to
this crumbling carcass of mine.
This glass encasing are
molten adornments of your muses,
I envy them bejeweled
Of your craft, your art.

You rely on art for sanity,
I rely on my sanity for my art.

Fold (after Dior S/S 07 Haute Couture)


(photo from google images)

there is an inimitable nature of a folded paper—
the origami—which spells not of the idea of structure
but fluidity; the manner by which creases fall in
line against each other, forming pleats,
holding up shapes, react against the very idea of
structure, as it renders the litheness of paper
to move in places unfamiliar, unchartered.

(unfold me in places where I am folded.)